Melbourne Fashion Week presented Fashion X Theatre at the Regent Ballroom where the Moulin Rouge is currently playing. The program was more of a theatrical experience rather than fashion and blurred the lines between the two. Incredibly artistic and creative I felt that the fashion part was underwhelming, but the overall production was still a feast for the creatives.
As the lights dimmed and the music began, the show opened with JASON GRECH. Jason Grech’s, collection was a solemn Tribute to his dear friend the Late Shiva Singam, who was known to many amongst the Melbourne Fashion scenes. Creativity often intertwines with emotion, resulting in collections that go beyond mere aesthetics. Jason paid a heartfelt tribute to the late Shiva Singam presenting an all-black palette, encapsulating the essence of mourning and remembrance.
In between the dance sequences and instrumentals, models emerged from behind the curtains, showcasing ensembles that ranged from avant-garde to classic elegance. The garments themselves were undoubtedly works of art, with intricate detailing and unique silhouettes. However, it seemed that the fashion aspect of the show took a backseat to the theatrics.
While the focus was clearly on the theatrical elements, the fashion still managed to make an impact. Standout pieces included a voluminous gown by J’Aton Couture worn by Alinta Chidzey star of the Moulin Rouge Musical as she sung for the closing of the show.
One aspect that stood out was the seamless integration of fashion and theatre. The models became characters in a larger narrative, their movements and expressions adding depth to the overall performance. It was refreshing to see fashion being used as a tool for storytelling, blurring the lines between the two art forms.
Fashion X Theatre succeeded in creating a memorable and immersive experience. The combination of dance, music, and fashion created a sensory overload that left the audience in awe. It was a testament to the power of collaboration and the endless possibilities of merging different art forms.
By Melinda Sullivan.
