Pride and Prejudice* (*sort of) – A Fresh and Hilarious Take on Jane Austen’s Classic.

Pride and Prejudice* (*sort of) Review: Pop Classics, Big Laughs and Brilliant Performances in Melbourne

Last night saw the opening of Pride and Prejudice (*sort of) at Melbourne’s Athenaeum Theatre and, from the moment it began, I found myself wondering, “What are we in for?”

What followed was a brilliantly entertaining and completely unexpected theatrical experience. Five captivating performers took audiences through the iconic story we know and love, quite literally taking the mickey out of Jane Austen’s beloved classic in the most delightful way.

A belly full of laughs it was indeed. The audience erupted in laughter throughout the performance, with one hilarious moment following another. The clever writing, sharp wit and impeccable comedic timing kept the energy high from beginning to end.

Adding to the magic was the music, perfectly woven throughout the production. Pop classics including Young Hearts Run FreeWill You Love Me Tomorrow and You’re So Vain not only provided nostalgic moments but cleverly enhanced the storytelling, often delivering some of the evening’s funniest and most memorable scenes. Each song felt perfectly placed, helping to drive the narrative while adding another layer of humour, heart and emotion.

Direct from its Olivier Award-winning West End run, Pride and Prejudice (*sort of) offers a fresh and fearless reimagining of Jane Austen’s most beloved novel. This irreverent adaptation cleverly blends romance, social commentary and modern wit while remaining surprisingly faithful to the spirit of the original story.

At the heart of the production are five exceptional performers who bring Austen’s world vividly to life. Amy Lehpamer, Zoe Ioannou, Kaori Maeda-Judge, Ruby Shannon and Teo Vergara each take on multiple roles throughout the evening, showcasing remarkable versatility, powerful vocals and impeccable comic timing.

The chemistry between the cast is undeniable. Their ability to seamlessly transition between characters while maintaining the show’s fast-paced energy is nothing short of impressive. Whether delivering laugh-out-loud one-liners, heartfelt moments or powerhouse musical numbers, each performer commands the stage with confidence and charisma.

Opening Night Draws Familiar Faces

Opening night attracted a number of familiar faces, including Casey Donovan, Matt Preston, Tom Gleisner, Lisa McCune, Ruva Ngwenya and Wicked star Jemma Rix, adding to the excitement surrounding one of Melbourne’s most anticipated theatre productions of the season.

The audience remained engaged throughout, responding enthusiastically to the show’s contemporary humour and clever audience interaction. While fans of Austen will appreciate the references and nods to the original novel, newcomers will find plenty to enjoy in this modern, accessible and wildly entertaining production.

What makes Pride and Prejudice (*sort of) so successful is its ability to honour the original story while completely reinventing it for a contemporary audience. It is smart, cheeky, energetic and unapologetically funny.

Fresh, fearless and utterly hilarious, Pride and Prejudice (*sort of) proves that even one of literature’s most treasured stories can be reinvented in a way that feels modern, relevant and outrageously entertaining.

If you’re looking for a night at the theatre filled with laughter, outstanding performances and a soundtrack packed with iconic hits, this is one show not to miss.

Venue

Athenaeum Theatre, Melbourne

Season

Now playing until 12 July 2026

★★★★★

A clever, riotously funny and brilliantly performed musical comedy that had the audience laughing from start to finish while breathing fresh life into Jane Austen’s beloved masterpiece.

By Melinda Sullivan.

For more information and tickets please visit https://prideandprejudicesortof.com.au/

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