My Brilliant Career: A Celebration of Ambition and Authenticity
Opening night at the Sumner Theatre was nothing short of magical as the return of ‘My Brilliant Career’ burst onto the stage, capturing the hearts of all in attendance. With a vibrant blend of humour, talent, and a poignant narrative, this adaptation of Miles Franklin’s classic novel proves to be a show-stopping experience that resonates deeply with audiences, both familiar and unfamiliar with the source material.
At the heart of this theatrical triumph is Cameron Bajraktarevic-Hayward, whose portrayal of Frank is nothing short of spectacular. Hayward steals the spotlight with his solo number, “Brick,” where his exceptional command of physical comedy and movement leaves the audience in stitches. His obnoxious and entitled demeanour makes it clear why Sybylla, played by the indomitable Kala Gare, resists his advances. Bajraktarevic-Hayward epitomises the quadruple threat, effortlessly singing, dancing, cartwheeling, and even playing the cello, showcasing the immense talent that fills the stage.
Gare is a powerhouse as the ambitious Sybylla Melvyn, delivering a performance that is both bold and relatable. Her soaring mixed belt captures the audience’s attention, while her comedic timing and infectious energy breathe life into Sybylla’s defiance. Gare’s unapologetic portrayal resonates deeply, especially when she breaks the fourth wall with finesse, allowing the audience to connect intimately with her character. Her ability to elicit uproarious responses from the crowd underscores her role as the comedic backbone of the show.
The dynamic score plays a significant role in the production’s success, seamlessly blending bold theatrical numbers with quieter, reflective ballads. Raj Labade, as Henry/Peter/Ensemble, shines in these more subdued moments, skillfully strumming an acoustic guitar and evoking a bush folk vibe that beautifully complements the narrative. The musical arrangements not only enhance the storytelling but also engage the audience in a communal experience, a testament to the show’s thematic core of agency and self-determination.
Marg Horwell’s set design is a standout feature, ingeniously integrating the on-stage band into the action. This design choice not only reinforces the idea of storytelling as a collective endeavour but also allows for flexibility, with actors playing instruments live throughout the performance. The set’s vibrant energy mirrors Sybylla’s own journey, a constant, dynamic interplay between character and performer.
Costume design further enriches the production, particularly with Sybylla’s wardrobe. Gare’s bold and playful outfits highlight her imperfections while incorporating modern elements that breathe life into the 1890s setting. This thoughtful adaptation makes the show feel vibrant and relevant, inviting audiences to engage with Sybylla’s story in a fresh way.
Lincoln Elliot’s comedic portrayal of Jimmy/Horace/Ensemble further adds to the laughs, especially as he convincingly plays a character meant to be a 12-year-old boy. The entire cast demonstrates remarkable versatility, with Melanie Bird and Christina O’Neill seamlessly transitioning between multiple roles, showcasing their extraordinary talent.
Labade emerges as a compelling presence as Harry Beecham, the love interest in a narrative that emphatically states, “this is NOT a love story.” His charm and authenticity make him a convincing counterpart to Sybylla, even as she steadfastly refuses to be defined by romance or societal expectations. This tension adds depth to the narrative, highlighting Sybylla’s determination to carve her own path.
As the curtain falls, the audience is left with a profound sense of inspiration, a reminder that while one’s career may not be “brilliant,” it is always theirs to shape. The final moments of the show, illuminated by the words of Miles Franklin, encapsulate the essence of Sybylla’s journey, an entertaining yarn that resonates with anyone striving for authenticity and self-empowerment.
The opening night festivities further enhanced the experience, with complimentary beverages and canapes, a delightful violin ensemble setting the mood, and a free-play piano inviting audience interaction. These thoughtful touches encourage attendees to reflect on their own stories, mirroring Sybylla’s overarching desire to be heard and to seize control of her destiny.
‘My Brilliant Career’ is an incredible piece of Australian theatre, a refreshing celebration of a distinctly Australian story told with authenticity and flair. It’s a production that reminds us of the power of ambition, the beauty of individuality, and the importance of finding one’s voice. Don’t miss the opportunity to witness this theatrical gem, an experience that will linger in your heart long after the final bow.
Words by Charlotte O’Shea
Written by Charlotte O’Shea and Melinda Sullivan.
